At a time when print media is on the way out and streaming technology has slashed into box office returns, a band of downtown cinephiles in New York has started a film magazine.
The Metrograph, a biannual publication from the art-house theater of the same name, will make its debut in December. The first issue, priced at $25, includes an in-depth interview with Clint Eastwood, a critical appraisal of the Hong Kong filmmaker Ann Hui, an essay on Filipino action movies and an analysis of a single shot of Maggie Cheung from the 1996 film “Irma Vep.”
“This magazine is meant to be an extension of what happens at Metrograph, and everything about Metrograph is intended to enhance moviegoing and the seductiveness of cinema,” Annabel Brady-Brown, the magazine’s editor, said. “We want this magazine to evoke that feeling you get when you go to Metrograph on a Saturday afternoon with a friend or on a date.”
The photo on the cover — showing the cinematographer Ed Lachman standing next to the director Jean-Luc Godard in the early 1980s — conveys the idea that this is a publication for devout film fans.
The issue features a wide-ranging conversation between Ari Aster, the director of “Hereditary” and “Midsommar,” and the graphic novelist Daniel Clowes. Steve Martin also interviews the two men behind Deceptive Practices, a consultancy founded by magicians that has advised a number of film productions, including “Ocean’s Thirteen” and “The Prestige.”
ImageThe editorial team takes a look at the coming issue soon after it went to print.Credit...Graham Dickie/The New York TimesWe are having trouble retrieving the article content.
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